63 mins watch time
Posted May 2021
Culture
History has remembered Lawrence as a nostalgic modernist, a sexual liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for ‘the old stable ego’, yet pioneered the genre we now celebrate as autofiction. But where is the real Lawrence in all of this, and how – one hundred years after the publication of Women in Love – can we hear his voice above the noise?
